ECU tuning files - ECU tuned files - ECU remap database - ECU remapping

ECU tuning files - ECU tuned files - ECU remap database - ECU remapping: "ECU files can provide high quality tuning files for use with your tuning tools. We have a database of tuned files constantly being updated, we can supply most file formats such as normal binary, BDM etc for most ECU types such as Bosch Siemens Delphi etc.


To access are database you must register which is free where you can search by vehicle and ECU hardware and software versions and to download you must purchase credits which can come in various packages files can be as little as £40 see the buy credits page for more info.


If the file you need is not on the database you can upload your original file in your customer area then this can be tuned by our professional staff and loaded into your customer area for you to download when completed this process usually can be completed within 1 hour.



We can provide live support and tuning within the hours of 9.00am – 9pm GMT Monday to Saturday.
For any information please contact us."

ECU tuning files - ECU tuned files - ECU remap database - ECU remapping

ECU tuning files - ECU tuned files - ECU remap database - ECU remapping: "ECU files can provide high quality tuning files for use with your tuning tools. We have a database of tuned files constantly being updated, we can supply most file formats such as normal binary, BDM etc for most ECU types such as Bosch Siemens Delphi etc.


To access are database you must register which is free where you can search by vehicle and ECU hardware and software versions and to download you must purchase credits which can come in various packages files can be as little as £40 see the buy credits page for more info.


If the file you need is not on the database you can upload your original file in your customer area then this can be tuned by our professional staff and loaded into your customer area for you to download when completed this process usually can be completed within 1 hour."

ECU tuning files - ECU tuned files - ECU remap database - ECU remapping

ECU tuning files - ECU tuned files - ECU remap database - ECU remapping: "High quality ecu tune files support@ecufiles.co.uk"

Maggie O’Farrell in Haworth

Jenna Holmes announces:
Novelist Maggie O’Farrell will be speaking about and reading from her latest novel The Vanishing Act of Esme Lennox and discussing the influence of the Brontës on her writing, at the Old Schoolroom, Haworth on Wednesday 12 November at 3.30pm.The Vanishing Act of Esme Lennox tells the story of a woman edited out of her family history, exploring themes of sanity and madness, and parallels have been drawn with Jane Eyre.Maggie O’Farrell was born in Northern Ireland in 1972, and grew up in Wales and Scotland. Her debut novel, After You’d Gone, was published to international acclaim, and won a Betty Trask Award, while her third, The Distance Between Us, won the 2005 Somerset Maugham Award.Her visit to Haworth is part of the Brontë Parsonage Museum’s contemporary arts programme.Admission is £5.00. For further details and bookings contact the Brontë Parsonage Museum, 01535 640188/ jenna.holmes@bronte.org.ukBelow, Maggie O'Farrell:

Wheel Clamping In Haworth - Oops

Click here to watch yesterday's report on BBC Look North. See local MP Ann Cryer voicing her concerns and Betty Boothroyd voicing her anger. See also Ted Evans, owner of the Changegate Goldmine, telling us that it's just something he has to do.......

Life Is Compost

Isobel Stirk reports on Diane Setterfield's recent visit to Haworth:'Life is Compost' - The Thirteenth TalePerhaps it was quite courageous that this former French teacher, turned superstar author, from Harrogate, informed her audience, in the Baptist chapel in Haworth - within sight of the literary shrine - that it had not been the Brontës who had influenced her to write The Thirteenth Tale. It was from a very different kind of writer - the writer of psychological thrillers, Patricia Highsmith, a writer who herself very much preferred her own personal life to remain private - that she gained inspiration. After reading avidly the stories about 'the incredible Mr Ripley’- whom Mrs Setterfield described as an amazing character- living a double life- with those around him thinking he was an honourable, successful, conventional business man.However Mr Ripley himself is the only one who knows the truth because nobody else is allowed in on the real man. So it was with a feeling of disappointment she realised that, with the death of Mr Ripley, there would be no more stories and the world would never know the truth- which left her with lots of questions in her mind. There is little consolation in death but perhaps one consolation is the consolation of being remembered but here again, if one is leading a double life, there is difficulty. Mr Ripley was human- was he tempted at the end to tell the truth? Surely after committing the perfect murders- so perfect nobody knew the perpetrator- you may be forgiven for thinking that he might need someone to know- need to proclaim to the world ‘ It was me!’So Mrs Setterfield thought that she might be the one to put the record straight- might be the one to give Mr Ripley the somewhat dubious credit he deserved. She had no wish to pick up the mantle of Highsmith but was left with a ‘pressure cooker’ of desire. Walking home across the Stray, in Harrogate, a voice came to her, a voice with a bullying, hectoring tone and, as if in the grip of some unknown force, she raced home and began writing- thus The Thirteenth Tale was born. She went on to describe her book’s equivalent of Mr Ripley- the famously reclusive Vida Winter who decides, for the first time, after a lifetime of lies and tall stories, to tell the truth about her life. She summons biographer Margaret Lea - herself somewhat reclusive- a person who likes to remain on the margins of life. Both women desire not to be known but come together to tell Miss Winter’s story.Mrs Setterfield described , to a captivated audience, that she thought of life as compost and, whilst she emphasised that the Winter character was in no way autobiographical, the idea for her characters came from her dreams, her conversations, books she had read and people she had met and she had drawn from this ‘compost’ to write the book. However, if left long enough, all the individual things that go in to make a compost heap will disappear and will become one rich mulch- the imagination. Some stuff does not decompose straight away and so it is, in our own minds, with dreams. Like eggshells that are instantly recognisable for quite a while, which keep surfacing through all the other stuff, dreams can stay with a person or can keep turning up unexpectedly. Mrs Setterfield’s ‘eggshell’ was the dream of a library on fire with two people fighting in the flames. Certain things in a compost heap never disappear - an avocado stone stays there permanently and the author’s ‘avocado stone’ was a story related to her by one of her French students, who, being told, at the age of eighteen, that he was born a twin and that his brother had died when he was three days old, said ‘So that’s it’- he had always known there was ‘something’ but had not known what that ‘something’ was.The whole compost heap, including the eggshells and the stones, all went into the writing of this book- which has comparisons to the Brontës and references to Jane Eyre - and which has landed one of the biggest first book deals ever and was actually published a year after first being sent to agents. I am sure everyone who listened so intently to Mrs Setterfield speaking at Haworth, if they have not done so already, will soon be reading what sounds to be a very intriguing story and then, will eagerly await the publication of, perhaps, ‘The Fourteenth Tale!’

Christmas at the Parsonage

A news release from Jenna Holmes:
For those who feel the modern Christmas is just too commercial, the Brontë Parsonage Museum in Haworth is offering a taste of Christmas past over the next few weeks. The Parsonage rooms have been decorated in traditional holly and ivy and with children under 16 able to enter the museum completely free of charge every Saturday and Sunday in December, the museum is hoping to encourage families to come and experience the special festive feel of the Parsonage at this special time of year.On Saturday 13 December, there’ll be some added festive spice with Branwell Brontë’s Christmas Cracker, which involves Branwell visiting the museum, with mulled wine and mince pies on offer. Branwell will be performing his own hilarious version of the Brontë story at 11.30am, 12.30pm, 1.30pm and 2.30pm. There’ll also be a special children’s Christmas treasure hunt.The truth is that Christmas for the Brontës was very different because it was before the Victorians got their hands on it. It was a religious festival without a lot of the paraphernalia which has come along since.
We think the Brontë Christmas would have been much more civilized and if people are fed up with the modern commercial holiday, they should rediscover a simpler Christmas; come and get away from it all here at the museum. They can always get their Christmas gifts in the museum shop anyway, which has an excellent range of festive presents.Andrew McCarthy – Director, Brontë Parsonage MuseumAs well as festive decorations, Branwell, and Christmas gifts, visitors to the museum in December will be able to take part in an exciting new musical project. The Fragmented Orchestra takes place at 24 public sites across the UK, including the Brontë Parsonage Museum, and launches on Friday 12th December. Visitors will be invited to become both player and audience of a vast interactive musical composition extending across the UK.December is also the last chance to see the museum’s special exhibition for 2008, Emily Brontë: No Coward Soul, which has attracted visitors from around the world. The exhibition is the first time ever that such an extensive range of manuscripts, letters, art works and personal artefacts relating to Emily Brontë has been displayed. The exhibition, which earlier in the year included high profile loans from the British Library and the National Portrait Gallery, will only run to the end of the year.Further information from;Andrew McCarthy, Director, Brontë Parsonage Museum01535 640194/ andrew.mccarthy@bronte.org.ukFootnote:It's time again to make mention of Dickens's A Christmas Carol........Charles Dickens first published his world-famous ghost story in 1843, under the title A Christmas Carol in Prose, Being a Ghost Story of Christmas.A phenomenal six thousand copies were sold in the week following its publication. Dickens has probably had more influence on the way that we celebrate Christmas today than any single individual in human history except one.Can he be blamed for the many millions of tons of seasonal decorations shipped in from China, though? That is, if they are still being shipped in during the current recession........perhaps we should be thinking of Tiny Tim as well as the Original Parsonage Christmas. End of sermon.Below, the man who invented Christmas-as-we-know-it-today